Once, years ago, I gave an audience member superpowers. Well, I accidentally gave an audience member superpowers. Some background. I was in a show called The Rocking Dead, created and produced by
In The Deep Dive, we work to develop an awareness and a kind of deep listening on par with a wizard savant— a heightening of our senses to each word,
Life is hard, y’all. We grow up and we’re supposed to work hard to “make something” of ourselves; to somehow bring order to the chaos of life. And once we’ve
The other evening I watched Lost in Translation. It was the second time I had watched it. I knew that I had seen it previously because I felt that strange
During my time in New York, whenever I’d meet with artistic partners of mine, there was this unsolvable question that would crop up. We’d be out for drinks, the conversation
The speed of human technological innovation is to me, unfathomable. It is a world unto itself. This state of affairs is thanks to, in no small part, the human imagination;
When you work in an extremely niche field like we do, it can often feel like you are on your own. You become aware of other companies doing similar work,
The walk to fearless is a walk towards greater authenticity. How do I stand in front of the crowd, or even one person, and be me? Imperfect, but authentic: letting
I didn’t start making interactive entertainment for any particular reason, other than perhaps as a way to express my creativity. Looking back on the first piece I created, the Ryan
Below is a listing of publications about improvisation and organizational success that was compiled by Shea Elmore and originally appeared on the Playing with Reality website. Thanks for sharing this,