Once, years ago, I gave an audience member superpowers. Well, I accidentally gave an audience member superpowers. Some background. I was in a show called The Rocking Dead, created and produced by
In The Deep Dive, we work to develop an awareness and a kind of deep listening on par with a wizard savant— a heightening of our senses to each word,
The other evening I watched Lost in Translation. It was the second time I had watched it. I knew that I had seen it previously because I felt that strange
During my time in New York, whenever I’d meet with artistic partners of mine, there was this unsolvable question that would crop up. We’d be out for drinks, the conversation
The speed of human technological innovation is to me, unfathomable. It is a world unto itself. This state of affairs is thanks to, in no small part, the human imagination;
The walk to fearless is a walk towards greater authenticity. How do I stand in front of the crowd, or even one person, and be me? Imperfect, but authentic: letting
Bear in mind that the thoughts on this page are my perspectives on interactive performance. There are other definitions and perspectives out there that are completely different and equally valid.
Have you ever been out with a friend–maybe you’re in a coffee shop, or on the street, or on a train– you fabricate a bit of fiction, your friend plays
Below is a link to an interesting article in The Economist about about modeling crowd dynamics on the behavior of molecules (a common model) and on the behavior of people